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City Secrets Paris

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Carolyn Campbell contributed an essay on the sculptors and architects who designed the remarkable tombs in the famed Père Lachaise Cemetery as part of City Secrets Paris by Fang Duff Kahn Publishers. This popular book brings together the recommendations of artists, writers, historians, architects, chefs, and other experts whose passionate opinions and highly informed perspectives illuminate well-known sites as well as overlooked treasures. These expert travel companions share their favorite little-known places and activities, including restaurants, cafés, art, architecture, shops, outdoor markets, strolls, day-trips, and all manner of cultural and historic landmarks. Clothbound, elegant, and pocket-sized, City Secrets Paris features a subtle, non-guidebook design and detailed maps. Available on Amazon for $19.95 https://goo.gl/XsYk4h  Reviews: Pauline Adamek, Sarah Spitz, LARB.

City Secrets Paris book

An enthusiastic group of about 90 people traveled to Paris through the words of authors Carolyn Campbell, Lea Endres and George Stoll who read their essays describing some of their favorite places in Paris published in the Fang Duff Kahn book, “City Secrets Paris: The Essential Insider’s Guide”. A special thanks to those who helped make the evening possible: Antonia Rigaud and Adelaide Barbier, Cultural Attachees in the French Consulate Los Angeles; Nayiri Partamian and Michele Druon, Alliance Française of Pasadena and Jennifer Ramos and Jeremy Radin at Vroman’s Books in Pasadena. And last but not least Fiona and Robert Kahn.

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(En)Gendered (In)Equity: The Gallery Tally Poster Project – international traveling exhibition

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Carolyn Campbell was invited to submit four of her photographic works, which were exhibited in the galleries noted below.  Gallery Tally is a crowd-sourced, social engagement art project organized by Micol Hebron in which artists from around the world have joined the effort to collect and visualize statistical data regarding ratios of male and female artists in top contemporary art galleries. Artists were invited to make one posters for each gallery, in whatever style or medium they chose. Starting with galleries in Los Angeles, the second phase of the project  focused on galleries in New York and has now expanded to include Paris, Berlin, London, Chicago, Santa Fe, Portland, Pittsburg, and other cities.

Baltic Centre for Contemporary Art London. October 20, 2017 through January 21, 2018, part of Starless Midnight – an exhibition co-curated by Edgar Arceneaux and Laurence Sillars. Press

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Fair-Market: Brickell City Center, Dec. 7-10, 2017 during Art Basel Miami. Press Press Press

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Los Angeles Contemporary Exhibitions, Hollywood, CA , March 10 – April 17, 2016 Opening reception March 9, 7-10pm. Press: Diversions LA,  Artillery,  LACE.

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Center for Contemporary Art, Santa Fe, New Mexico, Dec. 10, 2015 –Jan. 10th, 2016

Matucana 100, Santiago, Chile, Nov. 3 – 25th, 2015  Press
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New Mexico Museum of Art, Santa Fe, NM, Sept. – Dec., 2015  Press – Press

Woman Made Gallery, Chicago, Illinois, May 15 – June 25, 2015 Press

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ForYourArt on Wilshire Blvd, Los Angeles, CA, March – May, 2014 Press

For Your Art “#PictureThis#8: Micol Hebron and Carolyn Campbell” June 14, 2014

Stage Raw, “To Be Equal, Not A Sequel” by Pauline Adamek, April 20, 2014

KCET Artbound, “Galleries Are Man’s World, and Micol Hebron is Keeping Score”, by Carolina Miranda, April 3, 2014

Hyperallergic, “Tallying Art World Inequality One Gallery At a Time”, by Jillian Steinhauer, March 27, 2014:

Artillery Magazine (cover story), “Super Inequality: Micol Hebron challenges the gender ratio” by Carol Cheh, January/February 2014:

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XX Redux: Revisiting a Feminist Collective, Guggenheim Gallery, Chapman University, Orange, CA, 2014 Press

Área: Lugar de Projectos, Caguas, Puerto Rico, December 2014 Press

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Pratt Manhattan Center Gallery

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Pratt Manhattan Center Gallery, New York – Tracking, Tracing, Marking, Pacing   – Image for Robert Longo section

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Photo by Carolyn Campbell of Bill T. Jones and Eric Barsness from Robert Longo’s “Sound Distance of a Good Man.” Part of “Empire” a performance trilogy presented in 1981 at the Corcoran Gallery of Art, Washington, DC